Who Is Christina in ‘Westworld’ Season 4? – Christina Defined
Wait…that’s not Dolores.
When Evan Rachel Wooden seems in Westworld season 4, she’s not enjoying her gun-slinging prairie girl-gone-rogue. (ICYMI, that girl—spoiler alert—perished on the finish of season 3…or so we predict.) This time, Wooden performs Christina, a brand new character who couldn’t be any extra totally different than her final. And it’s not simply because her hair is deep auburn as an alternative of blonde. So, what’s the brand new woman’s story?
Christina is painfully regular in comparison with Dolores. She has a 9-to-5 workplace job, a metropolis condominium shared with a roommate (performed by the very bubbly Ariana DeBose), and a monotonous morning routine. She dreads occurring dates or going out in any respect, and, like most ladies, she’s exhausted by the relationship scene. Christina works for an organization referred to as Olympiad Leisure, the place she writes tales for facet characters in video video games.
A romantic at coronary heart, Christina can’t assist however pitch hopeful, saccharine narratives regardless of her boss’s demand for darkish and tragic tales. Alas, she seems to be a innocent dreamer. However hazard lurks: Christina is pestered by an unknown caller, a mysterious man named Peter, who accuses her of ruining his life. “You made me do this stuff,” he tells her, implying that one among her tales is definitely dictating the occasions in his life. On the finish of the episode, Peter jumps off a constructing, hinting she was liable for that. Do Christina’s tales within the sport have some mysterious management over actual folks’s lives? And what is going to occur along with her shock savior, who stepped in on the finish of this week’s episode?
We could discover out as the brand new season unfolds, however till then, Wooden and Westworld co-creator Lisa Pleasure break down our surprising new main girl.
Evan, who’s Christina to you, and what was it like embodying her? Was it totally different from Dolores?
Evan Rachel Wooden: It was very totally different. It was a totally totally different method this season, as a result of she’s very human and susceptible and messy and imperfect and insecure and sort of nerdy. She’s bought her routines. She looks like she’s a little bit of a hermit, definitely nowhere close to as self-possessed or as highly effective as we’ve seen Dolores within the earlier seasons.
Christina lives in her desires within her head and she or he writes tales. However like Dolores, she notices one thing is off with the world, and she or he’s searching for a solution to a query that she doesn’t know but. And so I believe that’s actually the one form of bridge that she may should Dolores. In any other case, she’s fully new.
Lisa, what was your intention behind the character, anyone so totally different from who we’ve seen Dolores be previously?
Lisa Pleasure: I imply, Dolores had advanced and adjusted a lot already and sort of come to the tip of her journey, however I believe [finding] quite a lot of decision and peace between these oscillations, between sufferer and perpetrator, after which discovering this center floor. We wished to discover a completely totally different dimension to a personality that Evan may play. And it was simply so thrilling to get to jot down this and see the ocean change in Evan’s efficiency.
It’s a fully totally different character. And to see a brand new character in the identical present has been wonderful. It’s additionally been nice with the ability to relate so viscerally to her character. This can be a modern, relatable setting. I imply, for me, it was actually attention-grabbing watching anyone play a author.
Identical right here.
LJ: Proper? And there may be that factor, I don’t know when you’ve got it too, the place you’re writing, and I do know for Evan, appearing, you’re actually imagining the interior lives of different folks, and it’s an act of empathy and extension. However, satirically, generally you simply really feel like a automobile for that, and it will get to be complicated, like, “Nicely, who’s this entity right here?” And I believe that’s one thing that Evan’s new character struggles with.
I really feel like this present all the time has a very attention-grabbing message or theme about free will, whether or not it’s for hosts or human beings. How did you wish to discover that subject this season?
LJ: For me personally, the thought of whether or not now we have free will is sort of inappropriate. I do suppose now we have free will to some extent. I do suppose quite a lot of issues are set, however there are tiny methods we are able to distinguish ourselves. However I do suppose when it comes to the philosophical questions of, “Do now we have free will? Are we dwelling in a simulation?” All these existential questions that individuals ask. I am going again to the primary season saying of, “For those who can’t inform, does it matter?” I believe it’s nonetheless incumbent upon us to behave as if now we have free will, to behave with that duty, and to expertise this existence as if now we have volition and attempt to do the perfect and be the perfect folks we might be.
How do you suppose Christina is dealing with all this? How is she navigating this unusual thriller the place somebody confronts her about how her tales have an effect on folks in actual life? It looks like it shakes her a bit of.
ERW: Completely. I believe she spends the primary half of the season confused and uneasy. And it’s additionally exploring this concept of this conspiracy principle tradition that we’re in proper now too, of: nicely, is it loopy to suppose that there are different issues at play that we could not find out about, or is it loopy to simply blindly observe and belief that all the things is ok? What truly is crazier?
I believe we see her taking place that rabbit gap that quite a lot of us are discovering ourselves in nowadays of, “Wait a minute, is that this pondering loopy? Or are these questions that I must be asking myself?”
This interview has been edited and condensed for readability.
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